started out as an exploration of dynamism by varying 'pace' at which paint is applied on a surface — fast strokes show gaps, and appear weaker; slow strokes are richer and appear thicker. eventually resembled de-kooning's action-paintings.
started out as an exploration of dynamism by varying 'pace' at which paint is applied on a surface — fast strokes show gaps, and appear weaker; slow strokes are richer and appear thicker. eventually resembled de-kooning's action-paintings.
A random number of rectangular strokes begin from random positions on the canvas, each with its own unique rotation and speed of movement. All strokes then spread outwards, eventually reaching the edge of the canvas. The person viewing the software is in control of when to 'stop' the painting.
